Peter Aisher is a soloist at Landestheater Coburg. He is a graduate of the Royal College of Music International Opera School, where he was the Janet & Michael Levesley Scholar supported by a Douglas & Hilda Simmonds Award and by the Josephine Baker Trust.

Peter read Astrophysics at Clare College, Cambridge, before arriving at the Royal College of Music, where he studied with Tim Evans-Jones. He graduated from his postgraduate studies with Distinction and was the winner of the Ted Moss & Bertha Taylor-Stach Prize for Lieder, and of the Joan Chissell Schumann Prize. He was a young artist at Deutsche Oper am Rhein, singing 120 performances across two seasons.

His operatic repertoire includes several Mozart roles: Tamino Die Zauberflöte, Ferrando Così fan tutte, Don Ottavio Don Giovanni; Handel: Arete (Giove) Giove in Argo, Lurcanio Ariodante; and several other roles from the lyric repertoire: Alfredo La traviata, Lensky Eugene Onegin, Albert Albert Herring, Arturo Lucia di Lammermoor. Operetta roles include Alfred Die Fledermaus, der erste Fremder Der Vetter aus Dingsda and Frederick Pirates of Penzance.

Performances on the concert platform include: Bach St John Passion (tenor soloist), St Matthew Passion (tenor soloist), Christmas Oratorio (evangelist and tenor soloist), Handel Messiah, Haydn Missa Sancti Nicolai, Missa in tempore belli, Mendelssohn Lobgesang, Monteverdi Vespro della Beata Virgine, Mozart Requiem, Vesperae solennes de confessore, Litaniae Lauretanae, K.109, Orff Carmina Burana, Tippet A Child of Our Time, Vaughan-Williams On Wenlock Edge, as well as contemporary works: Giles Swayne’s Hubbub, Christopher Brown’s A Five-Gated Well, and David Earl’s settings of Rupert Brooke poetry for tenor and piano with the composer at the piano.